Chicago Dance Crash is so accustomed to doing something new that even when they do something for the first time, it's like they've done it a lot already. It's a unique talent for an entire Dance Company to have, but the performers and staff who make up Dance Crash all seem to have a set of abilities --- audacity, imagination, and multi-disciplinary performance skills --- that make it possible for them to keep doing new things well. Beginning Saturday, May 25 (there's no Friday performance the opening weekend because Dance Crash is on tour) and running for three weeks, Dance
The Phone Calls is a mezmerizing tour through the art of writing and making a great instrumental song.
Of all the intriguing Dance performances that anybody is going to put together this year, the one that Chicago Tap Theatre is presenting on Saturday April 20 just has to be one of the most promising.
Pamela Fernandez is known as a singer, all around the world, even though almost none of the uncounted people who have danced, moved and who-knows-what-else to her tracks have any real idea who she is. A lot of people even know her name, especially the DJs, producers and labels who have played, remixed, resampled and rereleased her legendary vocals; they all know that Pamela Fernandez' voice can make a track and pack a dancefloor, but they probably know something else about her too. Most of the people who sampled and rereleased that legendary vocal probably know that Pamela Fernandez never
Michelle Dorrance goes to a lot of places, and every time she does, she brings something. Just about anybody who sees her perform, checks out her choreography, or just reads about her in a magazine sees it right away, but If you asked every single one of them what it is that Michelle Dorrance brings, what exactly she has, you might never get the same answer twice. There are so many dimensions, so many perspectives, so many moving parts to everything she's doing that everybody sees it a little differently; she brings a lot to the art of sharing her
"One of the coolest things about art, in all forms, is how much it influences and inspires new art." That's just one of the many insightful ideas that come up when you talk to choreographer Mary Tarpley, especially if you talk to her about Repurpose, the intriguing and very promising concert that she and The Den Theatre are presenting Friday, March 22nd through Sunday, March 24th. It's a Dance Concert to be sure, but one that has been carefully designed to present dance successfully to a much broader audience. Tarpley is especially well-prepared to come up with an idea as
Anyone who knows Lizzie Mackenzie's choreography is probably surprised that she's not better known as a choreographer. She's widely known as a truly exceptional dancer, from her performances with Giordano Dance Chicago and then with River North Dance Chicago, as well as her many guest appearances in high profile special events. She's also well known, especially in the world of preprofessional dance, as the founder and artistic director of Extensions Dance Company, one of the most successful and respected preprofessional dance companies in the country. When she does choreograph, the results are often spectacularly rich; she combines an ability to
Here's an intriguing first look at Royal Road, but for the full impact, not to mention the rest of the scene, you'll have to be in Chicago on Saturday, March 9, and find your way to the Harris Theater for Music and Dance.
Duets for My Valentine is an evening length composition in the diversity of dance, with eleven different dance companies and independent artists each presenting a duet somehow related to that very broad, promising, and potentially difficult subject, romance.
They're off to perform in India, on a multi-city tour that will bring audiences there a chance to hear what talent and dedication sound like set to music.