Manuel Vignoulle definitely knows how to start something new. A new company, a new country, new choreography or new possibilities, it doesn't matter; like a gifted dancer starting a new phrase, he can keep moving through every new beginning.
The program is entitled MOMENTUM, and it promises to be the kind of lush and lucid ride through a uniquely River North landscape that the Company always manages to put together. Lizzie MacKenzie has a really good idea of how they do it.
Chicago Dance Crash brings a lot to a performance, and audiences see it right away.
When Bill Murray told Andie MacDowell at the end of Groundhog Day that "anything different is good" he probably wasn't talking about Jump Rhythm Jazz Project specifically, although if he'd ever seen them perform, he might have mentioned them by name.
Giordano Dance Chicago is celebrating an unbelievable fifty years of being one of the most impressive dance companies anywhere, and as much as it's an incredible milestone for the Company, the significance of the celebration goes way beyond just the Company itself.
Considering how enthusiastic people are about Fernando Melo's choreography, identifying exactly what makes his approach so unique can be surprisingly elusive; his originality can defy description almost as much as it defies expectations.
hicago Repertory Ballet is a new company with a very new perspective, and the careful architecture of ideas that it is built from promise a lot.
As successful as Andy Moor's hit tracks and remixes have been, Zero Point One is an album, a rich, musical album full of different songs, different textures, and different moods.
It wasn't hard at all deciding to do a story about Tritonal --- their single "Everafter" featuring Cristina Soto is at the top of the Beatport trance chart.