We reached out to composer David Jennings to find out more about the score he composed for Lamaiya Lancaster and L-Theory Collective's "Dancing As Life", and much more. Here's what he told us:
Chelsea Hoy is the Associate Artistic Director of Trinity Irish Dance Company, a driving force in the always unfolding future of this completely unique dance company. We asked Chelsea to give us a deeper look inside Trinity Irish Dance Company as we get ready to see them at the Auditorium on February 29th. Here's what she told us.
"Floor Show" is an immersive production that draws inspiration from David Bowie’s music, career, cultural impact, and more. This one-of-a-kind production—part theater, part live music concert, part dance performance—was created by director Jesse Morgan Young in collaboration with lead performer Alex Grelle and music director Liam Kazar. Here's what choreographer Zachary Whittenburg told us about the production:
If you go to see a great dance company like Big Muddy, you get to see the ideas and imagination that come together in any artistic expression. But because this is a concert by a dance company, you get to see more. We asked choreographer Shannon Alvis all about Big Muddy and "Beat Ballads". Here's what she told us.
From September 27 until October 26th, Cerqua Rivera Dance Theatre presents their landmark series "America/Americans #CRDT20th Concert Series" at a variety of venues. We asked Artistic Director Wilfredo Rivera about Cerqua Rivera's 20th Anniversary concerts, and here's what he told us:
One of the things that makes Cerqua Rivera Dance Theatre so visionary in what they do is that in twenty years they've never stopped expanding their vision. To get ready for their Inside/Out performane at Studio5, we spoke to Leandro López Várady, and here's what he told us:
In a brand new work for the 2019 Pivot Arts Festival, Brittany Harlin explores the complementary subjects of what makes us hurt and what makes us whole. We asked Brittany about her creative vision for Don't Forget Your Mother, and here's what she told us:
if you wanted to learn more about dance, or more about music, a very good place to start would be to talk to David K. Israel. DancerMusic's Johnny Nevin did just that, and asked David about working with Bernstein, Robbins, Tharp and Taylor, not to mention his new film about Ballanchine. Here's what he told us:
Gavin Sutherland is the Music Director of English National Ballet, and he's a master of an invisible art. He knows how a dancer moves to sound, and how to keep the sounds that come from an orchestra of musicians moving perfectly with a stage full of dancers. He knows every part in detail, and he knows how to make each of them part of all of the others. DancerMusic wanted to learn more about all of this --- about the complex choreography of collaborations that are the heart of Gavin Sutherland's art. So we asked him if he would give us a look inside the art of bringing music to dance, and here's what he told us:
Darryl Joseph is an independent producer with an intricately careful sense of how to put beats together. Originally from New York and now living in Chicago, his solo tracks are often sparse and electronic, and always elegantly designed. He's found himself more and more in demand as more and more people have heard his work, not only as a sought-after collaborator for vocalists, but also for choreographers. His gift for enthusiastic collaboration as much as for composition has led to recent projects with Stephanie Martinez, Christopher Huggins, Nick Pupillo, and now with Hubbard Street Dance Chicago Choreographic Fellow Rena Butler. We asked Darryl about a lot of different things --- composing for dance, working with Rena Butler, what's up next for him, and more -- and here's what he told us.