Cerqua Rivera Dance Theater has been on a relentless build-up to their 2018 Fall Concert Series since last April. It's something they've been doing for years, a very carefully planned series of monthly presentations -- they call them Inside / Out --- that bring their audience, their performers, and the creators of their upcoming works together. The settings are informal but the results always informative, an engaging blend of discussion and performance. The last of the 2018 Inside / Out series takes place on Thursday, September 20th at 7pm at Chicago's Fine Arts Building, and it promises to be a great one. The subject is a new work called The Process Takes a Lifetime, an exceptionally rich and well-thought out story by choreographer Joshua Ishmon and --- in keeping with Cerqua Rivera's trademark practice of pairing great choreographers with great composers --- an original score by Pharez Whitted. Of course DancerMusic wanted to find out more, so we asked Joshua Ishmon if he would give us some insight into The Process Takes a Lifetime. Here's what he told us:
It's great to be bold and imaginative, but it's never easy to keep being bold and imaginative, at least not for long. Harvest Chicago Contemporary Dance Festival --- the bold and imaginative two-weekend festival that Nicole Gifford and Melissa Mallinson produce -- has managed to be imaginative, bold and successful every year for eight full years. On September 21, 2018 when HCCDF 2018 opens at The Ruth Page Center for the Arts in Chicago, that will make it nine. It sounds like quite an accomplishment, and it certainly is, and when you find out more about it, about the many dance artists who get the chance to present their own imaginative visions, about the audiences who get to share in them, it starts sounding like even more of an accomplishment. Naturally, we wanted to find out more about it, so we reached out to Nicole Gifford. Here's what she told us:
Lou Conte not only has a name that is important to the Chicago dance community, but as the founder of Hubbard Street Dance Chicago he is someone who has changed the history of contemporary dance. He created what is today an internationally acclaimed company that dancers from all over the world dream of being a part of. I myself was one of those young dancers, and Lou helped make my dream come true by bringing me into the company just before he stepped down as director in 2000. Lou will forever hold a special place in my heart, and not only by having initiated my entire dance career. With his values and the standards to which he held his work and company, he helped shape who I am today as a dancer, artist, and now choreographer. Lou is being honored at Chicago's Dance for Life this year, and when I was given the opportunity to talk with him and ask him a few questions, I couldn't help but be thrilled at the thought. Here's what he shared with me:
Giordano Dance Chicago will be performing Ray Mercer's Tossed Around when they take the stage on August 18th for Dance For Life 2018 at The Auditorium Theatre. So much goes into a work like Tossed Around that if you're seeing a work like that for the very first time, it can be a lot to take in all at once. That's why it's so great when somebody can give an audience a better idea of what they're about to see. Michael McStraw is the Executive Director of Giordano Dance Chicago, and he knows Tossed Around better than most, and not just its multiple layers of design. McStraw knows what went into it, and a lot of what has come out of it for audience and artists alike. He's one of those artists who has both danced and directed dance companies, someone who can mix passion and professionalism and never drop a beat. So naturally, we asked Michael McStraw to give us a little deeper look into Tossed Around. Here's what he told us:
Among the many arts of the Art of Dance, freestyling is its own special world, but it includes just about every part of what makes dance an art. Great freestyle starts with having such a range of motion and technique and inspiration that you can present any of it at any moment. Although the creative decisions are made faster than even the fastest of movement, those are the same decisions and the same creativity that are always the essence of making a dance. So it's quite remarkable that at Dance For Life 2018, Chicago Dance Crash is there to freestyle -- which is almost unheard of for such a monumental production. Crash Artistic Director Jessica Deahr took some time to give us a little closer look at four moments from Chicago Dance Crash's very rich freestyle history in 4PHOTOS from Crash. Here we go:
Nobody ever got the idea to become a dancer by reading the Encyclopedia of Easy Jobs. It's an exceptionally demanding profession, and one of its constantly recurring challenges is discovering and deciding where to even try to work. Side by side with the widely varied possibilities in Concert Dance is a parallel but largely separate universe: Commercial Dance, and that can be a wide world, in many different ways. DancerMusic spoke to Hedwig Dances' Crystal Gurrola, to find out about one kind of opportunity that a dancer may encounter -- accepting the opportunity to dance commercially overseas. Here's what Crystal told us about her time dancing in Japan.
JUBA! Masters of Tap and Percussive Dance is not one, but two dance concerts. Although both are presentations of some of the most gifted percussive dance artists you can see anywhere, and both will be an intoxicating mixture of sophisticated choreography and inspired improvisation, they're actually two completely different programs. We talked to Dani Borak, Chicago Human Rhythm Project's Artist in Residence, to find out more about JUBA!, and we couldn't have found a better person to ask. Here's what he told us:
There can't be too many things in Dance more complicated, more challenging, or more promising than the collaboration between choreographer and composer. But there probably aren't too many people in Dance or Music better able to tell us about the mysteries of this process than Joe Cerqua. Cerqua is the Co-Founder of Cerqua Rivera Dance Theatre, and at Cerqua Rivera, dance and music are richly and relentlessly interwoven in everything the Company even thinks about. We thought this would be perfect time to ask Joe to tell us about working with Sherry Zunker on "Between Us", which Cerqua Rivera will perform at Dance for Life 2018. Oh yeah, we also asked him to give us a quick look at the new piece he's working on with Monique Haley. Here's what he told us:
On Friday, June 29th, and again on Sunday, July 1, Thodos Dance Chicago and DanceWorks Chicago will present the very latest incarnation of a legendary dance event, NEW Dances. Audiences at Chicago's Ruth Page Center for the Arts will see a brand new dance company, specially formed for this performance, in works by six choreographers, specially made for NEW Dances. This year marks a new beginning, adding a present and a future to the story of New Dances. Two of the most influential, and most creatively community-aware professionals in Chicago dance -- Melissa Thodos and Julie Nakagawa -- decided last year to transition the New Dances event to a joint effort by DanceWorks Chicago and Thodos Dance Chicago. The performances feature new works by choreographers Shannon Alvis, Braeden Barnes, Katlin Michael Bourgeois, J’Sun Howard, Chris Johnson, and Anna Long. We asked both Melissa and Julie to let us in on a little more of this story, and here's what they told us:
Let's paint a picture of Cerqua Rivera Dance Theatre's Inside/Out: Ameican Catracho. In the foreground of the picture is Cerqua Rivera's performance on Wednesday, June 20th at 7pm, at Evanston's beautiful new dance and music venue Studio5. There Artistic Director Wilfredo Rivera, CRDT Co-founder Joe Cerqua, and other participants in the creative process will offer a look into the making of American Catracho, the large-scale work that Rivera launched in 2016, and which will be completed this year. American Catracho explores the experience of immigrants and refugees who, like Rivera himself, venture to leave what they know to find a new life in a new land. It's been a major, three year project for the Company, and although there's a lot in the foreground, there's even more in the background. Taken all together, it turns the whole picture into a kind of magic painting, because each time you look closely at what is in the background, what you see in the foreground will change. Knowing that, we asked Noelle Kayser to give us even more background on the process of making American Catracho, and here's what she told us.