Since its founding in 2011, Chicago Repertory Ballet has been bringing innovative contemporary ballet choreography to the stage, while reviving the spirit of storytelling that classical ballet itself was founded upon. CRB has taken the familiar and hit the refresh button on it. They’ve opened the landscape of what stories could be told through dance and how they could be shared, inviting new perspectives in dance making and viewership. On November 3rd and 4th we will get to see brand new perspectives shine from within CRB through the voices of the company dancers themselves. CRB will present The Choreography Project, an intimate in-house event at Dovetail Studios. The Choreography Project features brand new works-in-progress by five of CRB’s company dancers, each with their own unique stories to shares and unique creative processes. The choreographers sharing at this event are John Cartwright, Carley Klebba, Miriam-Rose LeDuc, Luis Vasquez, and Jacqueline Stewart. We caught up with Jacqueline Stewart to find out more about The Choreography Project. Here’s what she told us:
Collaboration is inevitably a form of exploration, and it often turns out that those artists who are most open to exploring the shared creativity of collaboration are also the boldest in their search for other kinds of creative exploration. Jan Bartoszek's career has been a master class in this principle. Dance, of course, is almost always a complex cooperation between choreographer, dancers, designers and many others, but Bartoszek has made such creative cooperation both a priority and an art in her work, often in innovative and boundary-defying ways. When Hedwig Dances present's Bartoszek's newest work Futura on November 1st through 3rd, the audiences at The Dance Center of Columbia College will get to see a multi-dimensional example of how she does this, and of how rich the results can be. We asked Jan to tell us more about the revolutionary ideas of Bauhaus, its influence on so much of what we know today, and how she and her collaborators imagined Futura. Here's what she told us:
Now on the cusp of their twentieth anniversary season, CRDT's success is due largely in part to the consistently strong choices of Artistic Director and Co-founder Wilfredo Rivera. As from the beginning, Wilfredo's passion, creativity, and commitment to artistic collaboration continue to lead the company to new performance venues, new audiences, and new creative projects that push the boundaries of both the individual artist and the ensemble as a whole. Behind the scenes, there is another person integral to the success and growth of Cerqua Rivera - Executive Director Catherine Painter. For the last five years, Catherine has worked alongside the artistic team at CRDT to ensure that their unique mixture of dance and live music can reach as many communities as possible. The work and thought she has put behind each and every choice for Cerqua Rivera culminated last year in the company's first ever three-venue tour of Chicago. This year's Fall Concert Series placed CRDT back to the same three venues: the series opened in Evanston, traveled down to Lakeview, and will soon close in Hyde Park. The big difference is the program has already made a much bigger splash than in the previous season, and there's still one performance to go. DancerMusic's Kristi Licera caught up with Catherine to learn more about Cerqua Rivera Dance Theatre and the choices they continue to make that create the enriching experience the Fall Concert Series offers their audiences. Here's what Catherine told us:
"Under the direction of Ashley Deran and Emily Loar, Project Bound is a tri-focal dance collaboration aiming to foster community engagement, dance/technology experimentation, and socially conscious performance." There's no better proof of their statement than to see the artists of Project Bound Dance in Separate Thoughts, Shared Space. Fostering community engagement? Bound is directly engaging the dance community by splitting the performance with Esoteric Dance Project. Furthermore, the split bill encourages the audiences of each respective company to come together, giving many the opportunity to see artists and works they may not have been exposed to otherwise. Dance/technology experimentation? The evening's program features the culmination of this year's One Hour Project, where Bound brings together dancer, choreographer, and videographer for 60 minutes to create a 60 second dance film. Socially conscious performance? You'll have to read on get the answer to this one, especially since DancerMusic's Kristi Licera got the answer to that question and more when she caught up with Project Bound Co-Artistic Directors Ashley Deran and Emily Loar. Here's what they told us:
"Dance matters. Dance is integral to our collective cultures. It is a core human expression that transforms us, generates wonder, and furthers honest connection and understanding." That would be a great beginning for just about anything that has anything to do with dance. It's the first of the Core Beliefs that you find if you read about Chicago Dancemakers Forum at their site ChicagoDancemakers.org, so it's a great beginning to understanding what this unique organization does, and more importantly, what they keep succeeding in doing. We asked Chicago Dancemakers Forum Executive Director Ginger Farley to let us in on some more of this very encouraging, fifteen-year-long story, and especially about Elevate Chicago Dance, their all-day performance celebration October 21st at The Chicago Cultural Center. Here's what she told us:
Creating a masterpiece can take a lifetime. There is a certain process in crafting each detail that cannot be rushed, but in a world of limited time and tight funding, modern day artists have been forced to find creative ways to make the best of their resources. This is especially true in the world of dance, where choreographers are tasked not only with making movement to communicate their stories and ideas, but must also make considerations for the perfect musical score, costuming, and lighting and stage design. So how do dance makers begin to approach the task of bringing all
These days, it seems that you have all the entertainment you need at your fingertips. Wherever you go, you are sure to see people enraptured by their mobile devices, scrolling through videos on social media or streaming their favorite TV shows. There is no shortage of convenient entertainment, which certainly creates problems for those involved in the performing arts. So, how do you begin to compete with convenience and draw an audience into the theater? If you are Cerqua Rivera Dance Theatre, you have found a solution – create a unique concert dance experience coupled with a live jazz band.
Taylor Mitchell has a brand new work, and naturally, we wanted to hear all about it. It's called Out of Pocket, and its performance by MitchellMovement is part of Harvest Chicago Contemporary Dance Festival's second weekend of performances (Friday September 28 and Saturday September 29, both at 8PM). It's an ideal pairing; Harvest Chicago Contemporary Dance Festival brings together a rich spectrum of imaginative independent choreography each year, and Mitchell epitomizes the kind of engaging and impactful dance that HCCDF was founded to present. We asked Taylor to let us in on more of what we'll get to see when Out of Pocket takes the stage at the Ruth Page Center for the Arts, and here's what he told us:
Concert Dance is not an art form that sustains itself easily; it needs a lot of care and it needs a lot of community. See Chicago Dance is the source for a lot of both, and although we know them best for their excellent website, SeeChicagoDance.com, the Chicago based not-for-profit supports dance in many other ways as well. On Tuesday, September 25 (from 6 to 10pm at City Winery, 1200 W. Randolph Street, Chicago) they're hosting their Fourth Annual Gala, a celebration of accomplishment past and future. The event will honor two important contributors to Concert Dance in Chicago; Angelique Power receives the Distinguished Service to the Dance Field Award, which recognizes "outstanding philanthropic leadership and honors someone who has made tremendous contributions to the health and vibrancy of the Chicago dance sector". Shirley Mordine, founder and artistic director of Mordine & Co. Dance Theater and founder and past director of the Dance Center of Columbia College Chicago, receives the Legacy Award, which honors "someone who has demonstrated extraordinary leadership in the field and made a momentous impact on the Chicago dance community". We asked Shirley Mordine to tell us a little more about at least some of her extraordinary accomplishments, and here's what she told us:
In choreography and in life, you might notice an old flame in passing one day and find that you’ve both matured. The spark reignites as you seize the opportunity to rediscover your connection and find more clarity and fulfillment than before. That is what Jessica Miller Tomlinson has done in her new work to be premiered at Harvest Chicago Contemporary Dance Festival on September 21st and 22nd. She gave us some insight into reigniting the flame on a decade past work. Read on to find out how it grew into a completely new piece from a deeper exploration of the same idea, plus more insights on being a Choreographer in Chicago. Here is what Jessica had to say: