Each year, a dozen or more companies of young dancers gather to present the annual benefit Dance for Life's Next Generation, and in twenty five years it has come to be known not only as a showcase for imaginative and talented young artists, but even more as an iconic collaboration of good will. We asked Diane Rawlinson to tell us more about this widely anticipated event, which takes place this year on March 3rd at 5pm at Wheeling High School's Sang Theatre. Here's what she told us:
You may not be able to physically see something, but that does not take away from its existence. Take for instance, what happens behind the scenes to create and produce a dance concert. As an audience member, you see the magic of movement and theater before your eyes; what you do not see is the countless hours of rehearsal, research and refinement necessary to present what appears before you. Furthermore, in today's financial climate (especially in regards to the arts), limits on funding mean that a company may only be able to produce concerts on an annual basis. So what happens to these artists between shows? They keep creating! And that is part of the message behind J. Lindsay Brown Dance's production of "Alive & Well: Dances about Resilience." "Alive & Well: Dances about Resilience" seeks to redefine resilience by presenting a wide range of creative concepts from an equally wide range of perspectives. The program features three choreographic works by J. Lindsay Brown herself, along with a collection of new works from up-and-coming choreographers from the Chicago area. DancerMusic Dance Editor Kristi Licera recently caught up with Linsday to learn more about how the program aims to accomplish redefining resilience, as well as more about the concepts and visions behind the works to be presented. Here's what she told us:
Teaching is everything, it's the future and the past. Each moment is a pivot in time, where what has been experienced becomes a guiding light for experiences not yet encountered. Teaching is more than just an important part of Dance, it's part of every process in Dance, and it's an art that Ethan Kirschbaum has studied carefully. We asked Ethan about why he loves teaching, how he understands the art of teaching, what he hopes for in teaching, and what he's learned about teaching dance. Here's what he told us:
Since 2001, Chicago Danztheatre Ensemble has presented multidisciplinary theater works with a focus on storytelling. These works include elements of theatre, music, movement, visual arts and literary text. "Getting Old Sucks" combines a variety of these elements along with an age-diverse cast to create a theater experience that we can all relate to. Such a vast variety of disciplines included in the creation of CDE's repertoire requires artists with equally diverse skill sets, making Scott and Michele the perfect pair to add to their list of creators. Scott currently serves as the Educational Manager at the Actors Gymnasium in Evanston, is an active contributor to the Improv Olympics and has earned a black belt in traditional martial arts from ISKA. Michele is an experienced director, performer and puppeteer currently working to hone her circus and movement skills in the Professional Training Program at the Actors Gymnasium. She has appeared in professional theater productions across Chicagoland with roles that include Seryohza in Anna Karenina at the Lifeline Theatre and Martha Washington in The American Revolution for Theatre Unspeakable. So how did these two dynamite artists create "Getting Old Sucks"? DancerMusic Dance Editor Kristi Licera caught up with Scott and Michele to learn more about the inspiration and creative process behind the production. Here's what they told us:
Although nobody talks about it very much, courage is an important part of dance. It takes courage to go on stage and perform of course, but it also takes courage to keep facing the reality of imperfection, a reality that in some ways becomes more vivid the more you find the courage to improve. Then there are even more intimidating, more difficult challenges, some of them very frightening, and that's when you need courage just to keep going. Paige Fraser has always done that and more. When she was awarded a Princess Grace Award, when she was named by Dance Magazine to their prestigious 25 to Watch, and all of the other times that her work has been so widely admired, many people might have thought that it was because of her exceptional gifts as a performer, and of course it was. But the only reason anyone ever got to see Paige Fraser's always-impressive performances is because she kept going, even when anyone with less courage might have given up. Fraser has begun to turn more of her attention to choreography, and her latest work is a twenty-five minute piece entitled ASCENSION for Northwestern University. We wanted to hear more from Paige about her work as a choreographer, and especially about ASCENSION, so we asked her to give us an idea of what we'll see in March at Northwestern's Josephine Louis Theater. Here's what she told us:
If you missed Giordano Dance Chicago's Fall Series at the Harris Theater back in October, have no fear; the company is doing an encore performance of their Live in the Momentum program Saturday, February 2 at the North Shore Center for the Performing Arts. For the last 56 years, Giordano has worked to preserve and invigorate the legacy of jazz dance they have so carefully and lovingly built. As the company continues to grow, so does their network of support, including those whose task it is to curate the programs that a theater presents. At North Shore Center for the Performing Arts this task falls upon General Manager Michael Pauken. For the last 16 years, Michael has searched far and wide to bring the best of the best into a theater that falls into the same category. With such an abundance of artists and performances to choose from locally, nationally, and internationally, there has to be something unique, almost magical that makes a company or artist standout from the pack. DancerMusic's Kristi Licera caught up with Michael to learn more about why Giordano Dance Chicago fits the standard, and how his relationship with GDC has grown over the years. Here's what he told us:
If you go to see Trinity Irish Dance Company at Chicago's Auditorim Theatre (on Saturday, February 2nd at 7:30pm), you may very well be enchanted by the riveting visual pageant of intricately imagined movement, and you may be mesmerized by the complex rhythmic score. But if you've read any of the things people have said about this company, you might not be entirely surprised; their performances from New York to Tokyo and a lot of places in between get big time respect. What is more likely to surprise you is how unique, how completely in its own space this exceptionally creative performance is. Mark Howard is the founder and Artistic Director of Trinity Irish Dance Company, and the process, patience, and unending possibilities for inspiration that have become Trinity Irish Dance Company were something that we wanted to learn much more about, so we asked him. Here's what he told us:
This year, Cerqua Rivera Dance Theatre celebrates its 20th anniversary season. Every dance company dreams of celebrating such a milestone, so what is the secret to the success? It might have something to do with the incredible blend of live dance and music that the company continues to curate, but more likely it is the passionate and consistent commitment to their artistic mission that co-founders Wilfredo Rivera and Joe Cerqua demonstrate year after year. Despite the challenges of building and maintaining an audience, procuring funding, and pushing the boundaries of both music and dance, CRDT has nourished the creative talents
They say hindsight is 20/20, but sometimes looking into the past by yourself is not always enough to take full advantage of the lessons to be learned. Now and then, it is wise to have those you trust take that retrospective journey with you, if only to gain some clarity for the future. This is how the artists at Trifecta Dance Collective are approaching their upcoming performance of Moving Forward, Looking Back, with guest company Project606. The program features previous works from both companies, as well the premiere of a collection of new works by guest choreographers and company members of TDC. What we end up with is an evening of dance that takes audiences on a journey of Trifecta Dance Collective's three part mission - to Engage, Empower, and Expand - and how these talented artists have embraced their commitment to its realization, as well as their vision of things to come. DancerMusic's Dance Editor Kristi Licera caught up with Associate Artistic Director and TDC Dancer Joanna Paul to learn more about Moving Forward, Looking Back. Here's what she told us:
In every DancerMusic publication past, our writers and editors have been tasked with creating the introductions to each article. We have been held responsible for setting the scene and tone of the wonderful discoveries to come, but to each rule there is an exception, and here's one now. When our editors Johnny Nevin and Kristi Licera started talking to Ballet 5:8 Artistic Director Julianna Slager about putting together this 4PHOTOS, we tossed around ideas of what insights her photo captions would contain, and to quote Julianna in a previous 5 Question Interview, we "let the fish swim." When we received