Ask a dancer to jump, and they'll ask, "How high?" Chances are you will get a graceful, elegant leap. Ask a dancer to turn, and they'll ask, "How many times?" Ah, look at those lovely, effortless pirouettes. Now, ask that dancer to climb up a twenty-foot piece of fabric with the same grace and poise, and the most likely outcome is that dancer will say nothing, and all you will be staring at is one very, very skeptical and confused face. Unless, that is, that dancer happens to be one of the artists at Aerial Dance Chicago. These gravity defying
There can't be too many things in Dance more complicated, more challenging, or more promising than the collaboration between choreographer and composer. But there probably aren't too many people in Dance or Music better able to tell us about the mysteries of this process than Joe Cerqua. Cerqua is the Co-Founder of Cerqua Rivera Dance Theatre, and at Cerqua Rivera, dance and music are richly and relentlessly interwoven in everything the Company even thinks about. We thought this would be perfect time to ask Joe to tell us about working with Sherry Zunker on "Between Us", which Cerqua Rivera will perform at Dance for Life 2018. Oh yeah, we also asked him to give us a quick look at the new piece he's working on with Monique Haley. Here's what he told us:
On Friday, June 29th, and again on Sunday, July 1, Thodos Dance Chicago and DanceWorks Chicago will present the very latest incarnation of a legendary dance event, NEW Dances. Audiences at Chicago's Ruth Page Center for the Arts will see a brand new dance company, specially formed for this performance, in works by six choreographers, specially made for NEW Dances. This year marks a new beginning, adding a present and a future to the story of New Dances. Two of the most influential, and most creatively community-aware professionals in Chicago dance -- Melissa Thodos and Julie Nakagawa -- decided last year to transition the New Dances event to a joint effort by DanceWorks Chicago and Thodos Dance Chicago. The performances feature new works by choreographers Shannon Alvis, Braeden Barnes, Katlin Michael Bourgeois, J’Sun Howard, Chris Johnson, and Anna Long. We asked both Melissa and Julie to let us in on a little more of this story, and here's what they told us:
There's something magical that happens to Chicago in the summertime. After a long, cold, winter, it comes as no surprise that everyone wants to be outdoors, including the city's dance artists. These professional dancers spend a majority of their careers training and rehearsing in the studio and performing in concert and theater venues, with few opportunities outside of site-specific work to experience dancing outdoors. But thankfully, for the past ten summers, Dance in the Parks has given dancers and audiences alike the opportunity to consume concert dance in some of the cities most communal centers - Chicago's neighborhood parks. Dance
In the beginning of any career, we often make sacrifices. Sometimes this means late, unpaid nights in the office or putting in extra work at home, but what happens when these sacrifices become the norm? For many dancers in any stage of their career, the extra hours in the studio and unpaid rehearsals and performances come as no surprise. The justifications for putting up with these circumstances range from "I need to prove myself" to "This is the best opportunity I have." While those things may be true in the beginning, many dancers will continue to tell themselves these lines
As a current or potential audience member, you may catch a review of the show in the local paper. But one there is one thing about a review that you will never be able to skirt around; those words in that newspaper did not come from the mouth and heart of the artist or creator. That's where DancerMusic comes in. We pride ourselves in giving artists like Reesie Davis, Founder and CEO of Praize Productions, Inc. NFP, the opportunity to share reflections and discoveries of the work that she, her company and school of dancers work so hard to achieve and realize. We recently caught up with Reesie and asked her to share her reflections on PPI's recent production of REVIVAL: The Answer was Healing! Here's what Reesie shared with us in her 4PHOTOS:
Let's paint a picture of Cerqua Rivera Dance Theatre's Inside/Out: Ameican Catracho. In the foreground of the picture is Cerqua Rivera's performance on Wednesday, June 20th at 7pm, at Evanston's beautiful new dance and music venue Studio5. There Artistic Director Wilfredo Rivera, CRDT Co-founder Joe Cerqua, and other participants in the creative process will offer a look into the making of American Catracho, the large-scale work that Rivera launched in 2016, and which will be completed this year. American Catracho explores the experience of immigrants and refugees who, like Rivera himself, venture to leave what they know to find a new life in a new land. It's been a major, three year project for the Company, and although there's a lot in the foreground, there's even more in the background. Taken all together, it turns the whole picture into a kind of magic painting, because each time you look closely at what is in the background, what you see in the foreground will change. Knowing that, we asked Noelle Kayser to give us even more background on the process of making American Catracho, and here's what she told us.
If you recall our PRE-View of Hyde Park School of Dance's Amira: A Chicago Cinderella Story, then you may remember HPSD Artistic Director August Tye mention that the Prince's journey to find his princess, Amira, leads him on a search through some iconic neighborhoods on Chicago's south side. The dancers' balletic movement and gestures are the main vein for storytelling, but what completes this scenic journey are the projections and illustrations Tye has created in collaboration with photographer Damien Thompson and illustrator Sara Petrolis. DancerMusic got an exclusive sneak peek at the images to be used in Amira, and asked Damien Thompson to tell us more about the process of creating these powerful images and what role they play in bringing Amira to life. Take a journey through Chicago's south side as you learn what Damien told us:
As a child, you may have often dreamed of yourself as a prince or princess in your favorite story. But as we age and discover the truth about the world around us, we begin to see the cracks in our beloved tales. We learn that those portrayed as evil may not have been so bad after all, and what we once thought to be the truth is merely a representation of what someone wants the truth to be. Now that we're adults, how do we change these stories to reflect our reality, while still maintaining the magic they gave us as children? August Tye, Founding Artistic Director of Hyde Park School of Dance, has the answer. August, her artistic team, and a cast of over a hundred dancers are getting ready to share this revelation in their production of Amira: A Chicago Cinderella Story at the Reva and David Logan Center in Hyde Park. DancerMusic Dance Editor Kristi Licera caught up with August to learn more about this massive undertaking. Here's what August told us:
Ensemble Español Spanish Dance Theater can fill a stage with excitement like few other dance companies can. In their stated purpose to 'preserve, promote, and present' the many Dance and Music traditions of Spain -- Flamenco, Folkloric, Classical, and Contemporary-- they've developed a unique history, a unique repertory, and a unique choreographic voice. They'll be presenting their Flamenco Passion: A Tribute to Jose Greco’s 100th Anniversary at the North Shore Center for the Performing Arts (on Friday and Saturday, June 15-16 at 7:30pm, and again on Sunday, June 17 at 3pm), and the program is an especially important and exciting one. DancerMusic asked Ensemble Español Artistic Director Irma Suárez Ruiz and Executive Director Jorge Pérez to share with us a little more about what we'll see at The North Shore Center, and here's what they told us: