On Friday, June 29th, and again on Sunday, July 1, Thodos Dance Chicago and DanceWorks Chicago will present the very latest incarnation of a legendary dance event, NEW Dances. Audiences at Chicago's Ruth Page Center for the Arts will see a brand new dance company, specially formed for this performance, in works by six choreographers, specially made for NEW Dances. This year marks a new beginning, adding a present and a future to the story of New Dances. Two of the most influential, and most creatively community-aware professionals in Chicago dance -- Melissa Thodos and Julie Nakagawa -- decided last year to transition the New Dances event to a joint effort by DanceWorks Chicago and Thodos Dance Chicago. The performances feature new works by choreographers Shannon Alvis, Braeden Barnes, Katlin Michael Bourgeois, J’Sun Howard, Chris Johnson, and Anna Long. We asked both Melissa and Julie to let us in on a little more of this story, and here's what they told us:
Let's paint a picture of Cerqua Rivera Dance Theatre's Inside/Out: Ameican Catracho. In the foreground of the picture is Cerqua Rivera's performance on Wednesday, June 20th at 7pm, at Evanston's beautiful new dance and music venue Studio5. There Artistic Director Wilfredo Rivera, CRDT Co-founder Joe Cerqua, and other participants in the creative process will offer a look into the making of American Catracho, the large-scale work that Rivera launched in 2016, and which will be completed this year. American Catracho explores the experience of immigrants and refugees who, like Rivera himself, venture to leave what they know to find a new life in a new land. It's been a major, three year project for the Company, and although there's a lot in the foreground, there's even more in the background. Taken all together, it turns the whole picture into a kind of magic painting, because each time you look closely at what is in the background, what you see in the foreground will change. Knowing that, we asked Noelle Kayser to give us even more background on the process of making American Catracho, and here's what she told us.
Ensemble Español Spanish Dance Theater can fill a stage with excitement like few other dance companies can. In their stated purpose to 'preserve, promote, and present' the many Dance and Music traditions of Spain -- Flamenco, Folkloric, Classical, and Contemporary-- they've developed a unique history, a unique repertory, and a unique choreographic voice. They'll be presenting their Flamenco Passion: A Tribute to Jose Greco’s 100th Anniversary at the North Shore Center for the Performing Arts (on Friday and Saturday, June 15-16 at 7:30pm, and again on Sunday, June 17 at 3pm), and the program is an especially important and exciting one. DancerMusic asked Ensemble Español Artistic Director Irma Suárez Ruiz and Executive Director Jorge Pérez to share with us a little more about what we'll see at The North Shore Center, and here's what they told us:
The reason Giordano Dance can keep bringing it year after year, decade after decade, is because they're always bringing so much that's so new. Their Summer Series at Chicago's Auditorium Theatre on June 9th is a gleaming example of that; the Company will perform works by Ray Mercer, Joshua Blake Carter, Ray Leeper and Christopher Huggins in a multichromatic display of contemporary voices in choreography. Even the two legendary works on the program by Giordano's founder, Gus Giordano, represent what is new as much as they do what is classic. We asked Cesar Salinas to give us a little closer look at the performance, and here's what he told us:
If you had just happened to walk in on one of Chicago Human Rhythm Project's annual STOMPING GROUNDS performances, that would have been amazing enough. STOMPING GROUNDS is a series of concerts that Chicago Human Rhythm Project has presented across the city of Chicago for the past four years, and it's not like anything else. Chicago Human Rhythm Project brings together a real all-star lineup of percussive dance companies, and to see the bright, energetic, irrestible enthusiasm of percussive dance in so many different forms, from so many different artists, steeped in the heritage of so many cultures, well that wouldn't just be amazing, that's more like a waterfall of amazing experiences, moment after cascading moment. But the Grand Finale of STOMPING GROUNDS promises to be all of that and more. There was so much that we wanted to learn about all of the dimensions of this multifaceted event that we asked Lane Alexander, Founder and Director of Chicago Human Rhythm Project, to give us a little more insight into STOMPING GROUNDS. Here's what he told us:
On Sunday, May 27th at 3pm The Chicago Philharmonic will present one of their characteristically enchanting concerts, a performance they call Hollywood Heroes. It's a program in which Music Director Scott Speck has gathered eleven brilliant compositions from scores for film, featuring landmark works from composers like Elmer Bernstein, John Williams, Danny Elfman and Maurice Jarre for legendary films like The Magnificent Seven, Star Wars, Spider-Man and Lawrence of Arabia. The Chicago Philharmonic's Artistic Director, Scott Speck brings a bright and careful understanding of why people love music to both his conducting and his programming. With both of those talents on display in Hollywood Heroes, we just had to ask Scott to give us a closer look at the program. Here's what he told us:
You couldn't write a book about music in Detroit, at least not about all of it. But even if you wrote all the books about all the music from Detroit that everybody knows about and loves, you'd still be leaving out all the music made in Detroit that never got out to world stage, that was part of one of the Detroit scenes, one of the chapters that Detroit is always writing. One of the newest chapters in Detroit music is the Movement Music Festival, a celebration of Detroit's massive impact on electronica that happens every Memorial Day weekend. We just had to hear more about it, so we reached out to Kasia Ooh, who knows Movement like few others. Here's what she told us:
Chicago Dance Crash covers so much ground that you just kind of expect they'll always be up to something different than whatever you saw the last time. But right along side of all those wide ranging adventures in choreography and concert dance, has a rock-steady tradition that's been going strong for a long time. It's their Keeper of the Floor series -- KTF, the second longest-running live show in the history of Chicago. Founded in 2007, it's been hosted for the last ten years by Matthew Hollis, or as he's better known when he takes charge of KTF, Matrick Swayze. Words cannot do justice to the Crash-infused, Mattrick-Swayze-curated good-natured mayhem of KTF, so instead of writing one more word about it, we asked Matthew to tell us all about Mattrick and ten years of KTF with Chicago Dance Crash. Here's what he told us --
On Saturday, May 12 at 8pm Evanston's excellent new dance and music venue Studio5 will present an evening called Ballet Now -- a joint performance of two of the Chicago dance scene's most imaginative and convincing independent contemporary ballet companies. We asked CRB's Wade Schaaf to tell us a little about Ballet Now and here's what he told us:
Cocodāco Dance Project has a lot of new ideas about dance -- how to make dance, how to be a dance company, and how to make dance for a dance company. Under their new Artistic Director David Maurice, Cocodāco is ready to push what was already a boundary-pushing vision a little further, and that all starts on Friday, April 20 at Foster Dance Studios, when they will present their three company program, HEADS / TAILS. We spoke to Artistic Director David Maurice about the company and about HEADS / TAILS, and here's what he told us: