Everybody knows that behind the stage, there's a completely different world called backstage, where all kinds of professionals do all kinds of work to make what happens on stage be the best it can possibly be. In the multifaceted universe of Chicago dance, there's another scene behind the scene backstage, where other professionals do all kinds of other work to help the Chicago dance scene be the best it can be. One of the most noteworthy of these back of backstage scenes is See Chicago Dance. Heather Hartley is the Executive Director of See Chicago Dance, and we asked her to give us a better understanding about some of the many things that make this organization so valuable and so unique. It makes for a fascinating set of stories -- there's a lot happening in this scene behind the scene. Here's what Heather told us:
On Saturday, April 7, the audience for Visceral Dance Chicago's SpringFive performance will see choreographer Kevin O'Day's latest work, the World Premier of "A Fine Line", and there wasn't much time between when (a) we heard about this and (b) we knew we wanted to hear more about this. So we reached out to Kevin and learned all kinds of interesting things about "A Fine Line", about working with Visceral, and about Kevin O'Day's rich and humane understanding of the art of dance, and for that matter, the art of understanding. Here's what he told us:
Here's some good news -- Chicago Repertory Ballet will present an evening of four World Premieres in their Modern Motions program at the Athenaeum Theatre on Friday April 6th and Saturday April 7th, with both of the performances at 8pm. Modern Motions looks to be very much in keeping with Artistic Director and Founder Wade Schaaf's original vision for the Company, and that's certainly good news too. In Modern Motions, the Company gives voice to four very different, very talented movement designers. We asked Wade to give us a little more detail about Modern Motions, and here's what he told us:
Manuel Vignoulle's ability to create intensely engaging choreography is something that a lot of people in the dance world have known about for a while now. Not surprisingly though, his choreography gets even more attention now, because last November, his work Black and White was awarded the 2017 Choreography Festival Grand Prize Award at the McCallum Theatre Choreography Festival.
When it comes to dance, Shannon Alvis has pretty much done it all! Not only has she danced with two of the most renowned companies in the world - Hubbard Street Dance Chicago (HSDC) and Nederlands Dans Theater (NDT), she was also a recipient of the Joffrey Ballet’s Winning Work’s Choreographic Competition in 2017. I got the chance to chat with Shannon about some of her most pivotal moments in her career as well as what she is working on next. Here is what she told us:
PRE-View: Hubbard Street’s Spring Series – 10 Years and 2 Nights of Alejandro Cerrudo’s Choreography
There are so many interwoven dimensions to Alejandro Cerrudo's creativity that we just knew we had to get a better look at them. One way to do that would be to go see Hubbard Street Dance Chicago's "An Evening of Alejandro Cerrudo" at Chicago's Auditorium Theatre, and the other, while we're waiting to do that, would be to ask Alejandro to tell us a little more about what we'll see. Here's what he told us:
On March 23 & 24, the dancers of GDC will grace the stage at the Harris Theater for Music and Dance in Chicago to celebrate 55 years of legacy and innovation. Among the works being presented is the world premiere of Take a Gambol, choreographed by former company member and current Operations Manager and Giordano II Director, Joshua Blake Carter. DancerMusic's Kristi Licera asked Joshua about his journey through Giordano, as well as the creative process behind his new work. Read on to learn more about Joshua and how he is weaving his thread into the fabric of American jazz dance:
This March, the Evanston Dance Ensemble will premiere its completely reimagined production of Shakespeare's A Midsummer Night's Dream. In six performances over four days (March 15-16 at 7pm and March 17-18 at 1pm and 4pm) audiences at The Josephine Louis Theater will get to see Shakespeare's widely loved romantic comedy in a brand new light. We asked Evanston Dance Ensemble's Béa Rashid to tell us just a little more about this complex creative adventure, beginning with how she even got such a bold idea. Here's what Béa told us:
Through Trifecta Dance Collective's latest full-length work, "In.grained", Co-Artistic Directors of Krissie Odegard Geye and Carrie Patterson along with the dancers of TDC engage with five senior women from the Glenview area to create dance with the power to transcend generations. DancerMusic's Kristi Licera sat down with Krissie Odegard Geye to learn more about "In.grained", its roots, and the incredible women they are collaborating with:
If you seek a career in dance, where do you even begin? For dancer and choreographer Luis Vazquez, the beginning was sparked by an after school program taught by the Joffrey Ballet. Luis brings his journey through dance full circle with the world premiere of his latest choreographic work, Sea of Comets, in 8th Annual Winning Works, presented by The Joffrey Academy of Dance. DancerMusic's Kristi Licera caught up with Luis to find out more about his journey through dance. Here’s a behind the scenes look at Sea of Comets: