Dancers have the unique ability to take a piece of music and really show it to you. You may be thinking, how is that possible? Sound is a wave invisible to the naked eye, and even if you were to see that piece of music performed live, you would see the action that creates the sound, but not the sound itself. Here's where the dancer comes in. If a dancer were to create movement to your favorite song, chances are that dancer would pick up on the nuances in rhythm, accents in instrumentation, the subtle meaning behind the lyrics, and
One of the reasons that Hubbard Street Dance Chicago is known all over the world is because they perform all over the world. Just this summer, audiences in Mexico, Canada, and across the United State have seen them, but when it gets to be the middle of August, if you want to see Hubbard Street perform you have to come to Chicago, and it's been like that for twenty-seven years. Thats how long Hubbard Street Dance Chicago has been performing at Dance for Life -- since the first Dance for Life, and once again this year, they'll be at Dance for Life
Giordano Dance Chicago will be performing Ray Mercer's Tossed Around when they take the stage on August 18th for Dance For Life 2018 at The Auditorium Theatre. So much goes into a work like Tossed Around that if you're seeing a work like that for the very first time, it can be a lot to take in all at once. That's why it's so great when somebody can give an audience a better idea of what they're about to see. Michael McStraw is the Executive Director of Giordano Dance Chicago, and he knows Tossed Around better than most, and not just its multiple layers of design. McStraw knows what went into it, and a lot of what has come out of it for audience and artists alike. He's one of those artists who has both danced and directed dance companies, someone who can mix passion and professionalism and never drop a beat. So naturally, we asked Michael McStraw to give us a little deeper look into Tossed Around. Here's what he told us:
As artists, the best way for dancers to express and work through something as close to home as body expectations is, of course, through dance. This is exactly what The Joffrey Ballet will be bringing to the stage at Dance for Life 2018 with Myles Thatcher's Body Of Your Dreams. DancerMusic caught up with choreographer Myles Thatcher to learn more about his work, as well as Joffrey Artists Derrick Agnoletti and Nicole Ciapponi to get perspectives on working with Myles and dancing this highly athletic work. Here's what they told us:
Among the many arts of the Art of Dance, freestyling is its own special world, but it includes just about every part of what makes dance an art. Great freestyle starts with having such a range of motion and technique and inspiration that you can present any of it at any moment. Although the creative decisions are made faster than even the fastest of movement, those are the same decisions and the same creativity that are always the essence of making a dance. So it's quite remarkable that at Dance For Life 2018, Chicago Dance Crash is there to freestyle -- which is almost unheard of for such a monumental production. Crash Artistic Director Jessica Deahr took some time to give us a little closer look at four moments from Chicago Dance Crash's very rich freestyle history in 4PHOTOS from Crash. Here we go:
When the average person thinks of Chicago, a few things hit the top of the list: the sports teams, the vibrant downtown scene and its iconic architecture... the wind (and for locals: confusing parking signs and that particular smell of the ‘L’). What does not immediately come to mind is the incredible array of outdoor spaces and field houses that make up the Chicago Park District. Chicagoans all over the city burst out of their winter hidey-holes to enjoy the fresh summer air and sunshine, and people from the world over come to the more well-known parks for events like
Nobody ever got the idea to become a dancer by reading the Encyclopedia of Easy Jobs. It's an exceptionally demanding profession, and one of its constantly recurring challenges is discovering and deciding where to even try to work. Side by side with the widely varied possibilities in Concert Dance is a parallel but largely separate universe: Commercial Dance, and that can be a wide world, in many different ways. DancerMusic spoke to Hedwig Dances' Crystal Gurrola, to find out about one kind of opportunity that a dancer may encounter -- accepting the opportunity to dance commercially overseas. Here's what Crystal told us about her time dancing in Japan.
JUBA! Masters of Tap and Percussive Dance is not one, but two dance concerts. Although both are presentations of some of the most gifted percussive dance artists you can see anywhere, and both will be an intoxicating mixture of sophisticated choreography and inspired improvisation, they're actually two completely different programs. We talked to Dani Borak, Chicago Human Rhythm Project's Artist in Residence, to find out more about JUBA!, and we couldn't have found a better person to ask. Here's what he told us:
Like many summer programs, Deeply Rooted's four-week summer intensive offers technique classes and gives participants the opportunity to learn, rehearse, and perform select pieces of DRDT repertory. But here's what makes this program special: in addition to technique and repertory, select summer scholarship awardees are invited for an additional two-week process prior to the intensive to participate in the creative process of up-and-coming choreographers. These choreographic works are then presented in the intensive's culminating performance in a feature called the Emerging Choreographers Showcase. In this way, DRDT's summer intensive also serves as a creative incubator for the selected choreographers. In conjunction with sharing a program with some of DRDT's most accomplished choreographers and most beloved works, the emerging choreographers are also given access to the many tools they need to reach their choreographic vision including rehearsal space, a cast of talented dancers, and administrative support. Recently, DancerMusic's Kristi Licera caught up with Emerging Choreographers’ Showcase Producing Director Joshua Ishmon to learn more about the showcase and the choreographers involved. Here's what Joshua told us:
How in the world would you do a PRE-View of Rhythm World, Chicago Human Rhythm Project's amazing annual festival of tap and percussive dance? If you've been to see us at DancerMusic before, you know that our PRE-Views are here to tell the world about events that are interesting, exciting, entertaining and cool, so that everybody can go see them and not miss them. Rhythm World is all of that for sure, so what's the problem? The problem is that Chicago Human Rhythm Project's Rhythm World is like the big, long, eighty-car freight train of cool, entertaining, interesting and exciting. So what did we do? We redesigned our PRE-View format to include a new SPEED ROUND of questions for CHRP's Founder and Director Lane Alexander. Here's what he told us: