Jeff Hancock has a lot of experience with dance and design, and he's given it a lot of thought. He's seen the dynamic, multi-dimensional reality of design in concert dance from many perspectives, so we asked him about what it's like for a choreographer to be a designer, and for a designer to be a choreographer. Here's what he told us:
Creating a masterpiece can take a lifetime. There is a certain process in crafting each detail that cannot be rushed, but in a world of limited time and tight funding, modern day artists have been forced to find creative ways to make the best of their resources. This is especially true in the world of dance, where choreographers are tasked not only with making movement to communicate their stories and ideas, but must also make considerations for the perfect musical score, costuming, and lighting and stage design. So how do dance makers begin to approach the task of bringing all
As a costume designer, Alex Gordon is increasingly in demand, and the insights he shares with us here about his work for Deeply Rooted Dance Theater show why. It may be just because he is a gifted designer, or it may have much to do with the depth of his perspective as choreographer and performer. In any case, his in-depth thoughts about of the art of costume design offer a rare look into one of the most important and least understood details of successful concert dance.
